I get this question on a regular basis. My answer is never the same, and usually it has little to do with the reality of it.
I'm reading "Moby-Dick" again, and you may thank me now that I don't bother you on a daily basis with my sad insights into the levels of meaning that a reader can find there. But I did come across something that has immediate bearing on the above question.
The author was speaking of a man who found himself overcome by ruin and thereafter took refuge at sea as blacksmith of the Pequod. Bad choice for a refuge, that! Melville opines that this kind of retreat to "the immense Remote, the Wild . . ." is a comfort "to the death-longing eyes of such men, who still have left in them some interior compunctions against suicide . . ."
Going to Asia is functionally similar to going to sea. The invitation to the remote is phrased as follows:
"Come hither, broken-hearted; here is another life without the guilt of intermediate death; here are wonders supernatural, without dying for them. Come hither! bury thyself in a life which, to your now equally abhorred and abhorring, landed world, is more oblivious than death. Come hither! put up thy grave-stone, too, within the churchyard, and come hither, till we marry thee!"
We have places to go, and things to do, we broken-hearted, that can distract us from the prospect of intermediate death.
Showing posts with label Literary Dreams. Show all posts
Showing posts with label Literary Dreams. Show all posts
Thursday, September 13, 2012
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