I get this question on a regular basis. My answer is never the same, and usually it has little to do with the reality of it.
I'm reading "Moby-Dick" again, and you may thank me now that I don't bother you on a daily basis with my sad insights into the levels of meaning that a reader can find there. But I did come across something that has immediate bearing on the above question.
The author was speaking of a man who found himself overcome by ruin and thereafter took refuge at sea as blacksmith of the Pequod. Bad choice for a refuge, that! Melville opines that this kind of retreat to "the immense Remote, the Wild . . ." is a comfort "to the death-longing eyes of such men, who still have left in them some interior compunctions against suicide . . ."
Going to Asia is functionally similar to going to sea. The invitation to the remote is phrased as follows:
"Come hither, broken-hearted; here is another life without the guilt of intermediate death; here are wonders supernatural, without dying for them. Come hither! bury thyself in a life which, to your now equally abhorred and abhorring, landed world, is more oblivious than death. Come hither! put up thy grave-stone, too, within the churchyard, and come hither, till we marry thee!"
We have places to go, and things to do, we broken-hearted, that can distract us from the prospect of intermediate death.
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