Norman Petri, 1990
It is a well-worn cliché to refer to any human being as “unique.” For one thing, it is almost never true. Considering these three deaths, you might say
that Hilliary was an unusual boy in some ways, but really there are many surly,
slightly anti-social boys, and many of them are quite sarcastic and
entertaining, and many of those have strong interests in building motors and
going fast. Unique? No. The type is personified by James
Dean. And Ray, certainly he had unusual
powers of social interaction, he was charismatic, and he had considerable
musical talent. Unique? No.
Paul McCartney is the model. But
Norman? Norman was unique. I seriously doubt that the world had seen his
precise likeness before, or that it will ever see it again.
I met Norman around the turn of the year 1976, shortly after
my relocation to Los Angeles. Norman was
a transplant too, from Cleveland. We
were in our mid-Twenties. We hit it off
immediately, for reasons that would not be immediately apparent to anyone.
We worked in the warehouse distribution center for a chain
of record and tape stores. Norman lived
with a friend in a rented house surrounded by factories that had only day
shifts. They thought that it was
perfect, because there were no neighbors to complain about noise. Live music and loud record playing were
involved. In the living room there were
three armadillos. One taxidermy
stand-alone armadillo; one taxidermy armadillo fighting a taxidermy rattle
snake; and one armadillo handbag. Every
Thursday they would buy the Recycler and look for new armadillo items. The entire house was furnished with gaudy,
overstuffed second-hand furniture. There
was a blow-torch on the coffee table.
The rooms were hung with posters from Fifties science-fiction movies, of
which both of them had extensive collections.
I say extensive, the roommate’s collection was complete. For all of the important movies he had the
poster, both one-sheets, and all of the lobby cards. His want list included only better examples
of things of which he already had a less-than-perfect example. Norman’s collection included many foreign
posters. Like the Italian poster for “This
Island Earth,” or the French one-sheets for “Forbidden Planet.”
Between them they had four or five thousand record albums,
mostly punk and trance but with a rich vein of movie soundtracks. Henry Mancini and Enio Moriconni were big
favorites. Oh, etc, etc . . . is this to
be all about Norman’s life?
Maybe a little more information. After a couple of years, Norman moved back to
Cleveland, because Los Angeles was just too square for him. Cleveland had a great rock scene in the 1970’s.
It is also important to know that Norman
was a devotee of old style amusement parks and wooden roller coasters. In Cleveland, he worked two jobs for nine
months out of the year so that he could take off during “coaster season,”
traveling around to visit all of the happening wooden coasters. He and I were both letter writers. He was the most conscientious letter writer that
I’ve ever known, he actually had a checklist of people that he wanted to write
to every month. Usually I received not
just a letter, but a brown envelope with brochures from amusement parks,
plastic bags from hip record stores, napkins from weird diners, a bit of
everything.
And I should mention that Norman was a Fat Fancier. He himself stood over six feet tall and
weighed a bit less than 130 pounds, he looked like you could fold him up and
fit him into an attaché case. He was
bone white, with longish black hair, and with a demeanor that the medical
professionals call “low affect.” His
long term girlfriend weighed in at over 500 pounds. Oh, and Norman was a smoker, that will become
important in a moment. He smoked one or
two packs of Marlboros every day and at least an ounce of reefer every
week. He had kept up this pace since his
teens.
Is it possible to die suddenly from lung cancer? Norman managed it. He was a very shy man, and always less than
comfortable in the real world. With
friends, listening to records, getting loaded, he was very personable and
almost cheerful. But let the social
situation become at all new or uncertain and he went into full retreat. So it’s not unexpected that he hated to go to
the doctor, preferring to ride out all of life’s maladies on his own. This may or may not have been his
downfall.
I got the opportunity to visit him in 1990, after a two year
close friendship followed by a twelve year intense correspondence. My family and I were to fly to Toronto and
make three visits within two weeks; to friends in Guelph, Ontario; to my aunt
in Buffalo, New York; and to Norman, who lived at the time in Ann Arbor, Michigan. Our correspondence was still strong, and he
had never mentioned health problems, but when I called him to tell him of the
trip he blurted out that he was too sick to take visitors. He said that he had terrible sciatica, that
he had had it once before, but that this time it was really laying him up, he
couldn’t do anything. I said, no sweat,
we’ll sit around, get some take out, we just want to see you. He allowed that something like that could
work. It was the last time that we
spoke.
Two days before we left for the trip, Norman’s girlfriend
called me. “Norman’s dead!” she screamed
into the phone without warning, with the full power of her tremendous
bulk. She explained, in between huge
sobs, that Norman had finally gone to the doctor, had been diagnosed with lung
cancer, had been admitted to the hospital immediately, and had thereupon
died. He was
thirty-seven-years-old.
I’ve had other friends and relatives die on me, but these
unanticipated deaths really do hit a little harder, don’t they? It comes as a shock, and with the finality of
the grave. They stand out in memory,
probably because they remind us that any day could be our last, or thereabouts.
So fare thee well, Hilliary, Ray and Norman. I miss you all, if not exactly every day,
certainly on a very regular basis. Thank
you for your friendship. May your souls,
and the souls of all of the faithful departed, rest in peace, amen.
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