I’ve written somewhere herein that we don’t die all at
once. The process starts around our
fortieth birthday, picks up steam rapidly, and culminates in actual death later
on. I would now add that it is not a
linear progression, a day by day process.
No, it proceeds by fits and starts.
We go along with about the same body and health for matters
of months or years, with no change at all, no apparent aging. Then we suffer some kind of event, a stress
event or a health event, and after the days or weeks of the event we discover
that something has changed. We have
aged. The event has shortened our lives
by months or years.
For example: in my
late thirties I suffered a burst appendix.
I had been rolling along for years, same diet, same sleep habits, same
physical capabilities, same weight, same appearance. Then I got sick. For six months I had what was misdiagnosed as
a series of stomach flu episodes and lower digestive tract problems, featuring
lots of vomiting and diarrhea. I never
got a fever, and my stomach did not palpate as though my appendix were the
problem. I had no health insurance, so
no sophisticated diagnostics were employed.
I dropped some weight, and I had
only started out in the low one-forties.
I became alarmingly weak and exhausted, by the end I could not speak
with a full voice. Finally my poor
inflamed appendix popped, an experience that will get your attention, I can tell
you. I signed a permission slip for
exploratory abdominal surgery, because they still hadn’t figured out that it was my
appendix, and there followed a week in the hospital, bowels frozen by the anesthesia
and almost hourly anesthetics, successfully fighting off the peritonitis. It was terrible.
I came home weighing about 123 pounds (at five feet, nine
inches tall) and looking like death warmed over. I got better, but I realized that the
experience had aged me. The weight came
back on differently, more around the middle.
I was no longer inclined to run up stairs willy-nilly. I’ve noticed the phenomenon since then on a couple
of occasions. Something like that pushes
you down the field suddenly after having lingered at the forty yard line for
some time.
It’s like a jump-cut in the movies. It’s a wonderful technique, most famously
visible in the movie “Breathless” by Jean-Luc Goddard. There’ll be a scene, static for a while, and
then suddenly some time has been cut out and the scene jumps to almost the same
scene some time later, perhaps from a slightly different angle. It can be disconcerting, and it is meant to
be. It is an intentional violation of
the rules of continuity editing, which is sometimes called “Hollywood editing,”
or “invisible editing.” The jump cut
draws attention to the mechanics of film making, much like the life event draws
attention to the process of aging.
Something like that long ago event is happening to me now,
less dramatically perhaps, but maybe more dangerously at my age. A push down the field is more serious at
sixty-five than it was a thirty-nine. I’m
not complaining, it’s the human condition and we all suffer equally. It seems that life is a lot like high school,
or boot camp. We enter the experience terribly
confused and at a big disadvantage. Then
over time we figure it out, we learn how it all works. And then, around the time when we have
learned all that we need to know, we graduate.
Cruel irony, that.
No comments:
Post a Comment