What to
write about, let’s see. Well, there’s
always more about . . . myself!
I had some
nicknames in my teen years. There were a
few that were intended as mockery, but always very gentle, of course. I might have been a bit odd, but I got along
with most people. A couple of other
names were quite descriptive. I had a
tendency to never shut up, for instance.
One of the nicknames referred to that.
The only nickname that I was proud to own was “the Planner.”
We had a
lot of energy, but very little money. We
did a certain amount of sitting around, but we were also restless to do
things. Listening to records and
enjoying, well, other things, could only be considered part of a full
life. New York was a great place to be
young at the time. I’m pretty sure that
it still is, but in the Sixties, New York was full of things to do that were
totally free, or so cheap that they were almost free. I’ll bet that that has changed. In fact, I know that it has.
The problem
for many people was discovering the what, where and when of these great, cheap
events. It wasn’t a problem for me,
though, so I naturally fell into the role of “the Planner” for my group of
friends. Around Thursday, one or more of
them would ask me, “so Fred, what are we doing this weekend?”
It helped
to read widely of the city’s countless periodicals. There were clues scattered in multiple
newspapers, often only on certain days, and there where extensive listings in
the New Yorker Magazine and the Village Voice.
I read all of those, and I combed through them eagerly for
freebies. You had to scan, but you also
had to know what you were scanning for.
Many would have skimmed over the 92nd Street YMCA, for
instance, but then they would miss the fabulous free movies, concerts, plays
and readings that the place offered at no charge.
Yes, back
then one could stay very busy attending high quality artistic events at little
or no charge. It should be remembered as
a magical window of cultural history when the full range of American cultural
resources was available to low income people.
Movies
The Museum
of Modern Art was a great place to see movies.
I always had a student membership myself, which cost about $12.00 for a
year with unlimited free admission. They
showed movies every day, one at about five thirty and another at about seven
thirty or eight. Maybe one in the
afternoon on weekend days. Upon entry,
you just asked for a ticket for the movie, there was no extra charge. Single admissions were cheap enough for most
people to absorb. It was all really
high-tone stuff at MOMA.
All of my friends more or less enjoyed the serious Hollywood movies, but foreign cinema was a tough sell for most of them. For things like Ingmar
Bergman, French New Wave, or Italian Neo Realists, it could just be me and one or two friends that were also hard core fans. It did often happen that reluctant viewing turned to great enthusiasm afterwards.
I introduced
my friends to the comedies of the Marx Brothers, W.C. Fields, and Buster
Keaton. (Keaton was silent, those were
the toughest sells of all, unless it was a Lon Chaney horror movie, or maybe Nosferatu, or Caligari.) We also enjoyed the old Warner Brothers
gangster movies, screwball comedies, and some of the great westerns like Red River. New York was full of re-run houses at the
time. Those were regular movie theaters that were past their prime and a bit down-in-heel. They showed double features of old
Hollywood movies or foreign movies. Very
cheap, like a dollar and a quarter or something. The Bleeker Street Cinema; the New Yorker;
the one around Eleventh Street on Eighth Avenue, what was that one called? There were specialized theaters, too.
Just
walking around one day I discovered a tiny theater in the high forties just
west of Times Square, between Seventh and Eighth Avenues. No marquee, nothing but a small entry way and
a ticket window tucked away on one side and a couple of movie posters on the
wall across from it. That place was all
Japanese, all the time. I gave it a try
and got hooked immediately. I went there
over a hundred times over the next six years or so, and I dragged as many of my
friends as possible. Another real
bargain, the same $1.25 for a double or triple feature. What an amazing education in Japanese
cinema! They showed everything, although
I never saw a Kaiju movie there, no Godzilla, etc. But they did show all kinds of period pieces,
all of Kurosawa, including the first police procedurals, samurai movies from the very classy Samurai Trilogy and Sword of Doom all the way down to Samurai Sheriff (which is
a long way down, I can tell you). Family
dramas like Ozu’s Tokyo Story. Roshamon. The Forty Seven Ronin. Ghost movies like
the distinctly low brow Tattooed Swordswoman, or very serious ghost movies like
Kwaidan. Weird, violent Yakuza
movies. Superhero stuff like Starman. Many of these movies are the finest expression
of cinematic art, and many others were just jaw-droppingly outré.
Concerts
Many very
good bands were anxious to promote themselves, so they looked for opportunities
to set up and play, either free or for a dollar or something. There was an eighteen month period in '67, '68 when the
Who seemed to be playing somewhere all the time, it could be at a university or
maybe at the band shell in Central Park.
Central
Park! Every summer there was something called the
Schaeffer Festival, fifty or sixty outdoor concerts and all for one dollar
admission. Saw the Who there, too, of
course. (Sponsored by Schaeffer Beer.)
The Filmore
East qualified as cheap. Tickets in the Sixties
were $2.95, $3.95 or $4.95. Of all
things, the $2.95 seats had the best sound.
Those were in the balcony, and the mix was much better up there. Downstairs, unless you were right in the middle
you probably got too much of one side or the other.
Nobody needed me to tell anybody what was at the Filmore, though. That was common knowledge.
There were
also cheaper double or triple bills featuring second-tier bands in venues that
were seldom used anymore, former movie theaters and the like.
Free was
ideal, and there were free concerts of rock, jazz and classical. Jazz was a tough sell, and I didn't care much for it at the time myself. There might have been a racist component to that, but we did love R & B. I did get guys to go
to some classical concerts. Again,
reluctance changing to grudging admiration.
Many of my friends were musicians, mostly ear players in rock
bands. They could see all the work that
went into classical music, though, and how great the players were.
Plays
These were
the toughest sell of all. Everybody
knows the Royal Shakespeare Company, but there are other companies in England,
Canada and America devoted to that stuff, too.
Lesser known, and often they got the idea to go on tour and they were willing
to put on free shows. Perhaps a mix of
paid and free shows. The Brooklyn
Academy of Music was a good place to see them do their stuff. Not just Shakespeare, but also Restoration
Drama. Those came a little bit after Shakespeare,
and I developed quite a taste for that period.
More boffo, as they say, played more for laughs than Mr. Shakespeare. We went, we watched, and we learned
something. Free.
Museums
New York is
one of the best museum towns in the world.
All of the museums were cheap in those days, but I only remember one
that was actually free: The Metropolitan
Museum of Art. One of the best museums
in the world, and the price of admission was “discretionary.” There were suggested “donations,” but you
could just throw a dime in the box and smile.
They must have a colossal endowment.
Something on display for everybody, too.
A huge collection of medieval armor; whole Egyptian tombs; religious
paintings as big as billboards; they could entertain anybody.
All of this
tour-guiding was a very positive experience for me. For one thing, my friends were looking to me
for ways to keep life interesting. That
was a good feeling. For another, it was
great to be able to broaden their experience of life. I didn’t have a great education myself, but I
had always taken considerable efforts to educate myself. In the process, I had learned a little bit
about many things. It was knowledge that
I was only too happy to share. Many of
my friends had very little education, but, as often happens, they were rather
intelligent people who just had never been exposed to a lot of learning. They could be blasé on occasion, but often
there were surprised and delighted with the new experiences.
Well,
enough about me. Time for more
politics! (Only kidding.)